Early years
I was born to parents from Kerala and grew up in Bangalore when it still felt like a small town. By the time I’d studied at its landmark schools and started work as a civil engineer, it had become Bengaluru, one of Asia’s biggest cities.
Building a startup’s operations from day one, writing about Taiwan, and taking the long way home through the hills.
I was born to parents from Kerala and grew up in Bangalore when it still felt like a small town. By the time I’d studied at its landmark schools and started work as a civil engineer, it had become Bengaluru, one of Asia’s biggest cities.
Before settling into a career, I spent a summer volunteering at a school in the mountains of Jammu & Kashmir, and came back seeing my own path differently.
I moved to Mumbai, the City of Dreams, for my first job in language services. It laid the foundation for everything that came after, and for a few friendships I still keep.
A job offer brought me to Taipei. I meant to stay a few years, but good friends, a career that kept growing and easy escapes into nature kept me here, and I was lucky enough to meet the person I’d build a family with.
Our wedding blended Taiwanese and Syro-Malabar traditions, with each table named after a trail we’d walked. Then we moved out of Taipei to grow our family, the hills still close by.
When our son arrived, I took a year off to be with him, and to finish my Executive MBA. His first trails were from a baby carrier on my back.
Graduating from my EMBA at CUHK in November 2026, and starting again at smaller, earlier-stage companies, closer to the work I care about.
Enjoying what life has to offer, one day at a time.
Mischief managed.
Nothing to see here. Just an ordinary personal website.
For me, work is a means to a good life. I like starting from scratch, getting something real in place, and walking it forward one step at a time.
I’ve usually started in one role and ended up running much more of the company than I was hired for. It comes from being a generalist who’d rather figure things out than wait, and from founders who trusted me with room to grow. Most recently, that made me the first hire at an early-stage startup.
Selected highlights
In stealth mode
I’m the first hire at a young company building a way to put new research in front of the professionals who can use it. I run operations: systems, data, customer emails and the launch plan.
Since 2025 · part-time
A portfolio career: I consult on operations, growth and acquisitions, write features about Taiwan, and take on the occasional one-off project.
I joined to run operations and grew into the company’s de facto product manager and Taiwan country manager, with oversight of our established services in Hong Kong and China. Four things I’m proudest of:
We replaced piecemeal pricing with tiered bundles and add-ons, and rebuilt the quoting, the CRM and the training around them. Clients found it simpler, and orders grew.
I was curious where generative AI could take editing, so I pulled together a cross-functional team to test it, with quality gates before anything reached a client. The service ran for over a year, and what we learned shaped the company’s strategy as AI reshaped the industry.
I designed a scoring model that matched each manuscript to the right editor by subject, track record, cost and turnaround, so quality and margins both held up.
I took AsiaEdit out into the wider industry: peer partnerships, outreach, and the company’s first delegation to the London Book Fair in 2025.
Wallace was a close-knit, founder-led firm when I joined. I helped it grow into a more structured, scalable one, with new teams, processes and the systems underneath. Three highlights:
I designed the quality management system from a blank page and led the certification. We passed on the first audit, and the system outlived my time there.
Some clients could only work in PDFs, so I built a way to edit and comment inline. It opened doors with compliance-sensitive customers we couldn’t serve before.
I brought on the firm’s first business development hire and built relationships with Taiwan government agencies, opening up interpreting work alongside editing and translation.
Between and beside the big roles, I kept picking up whatever needed doing: I produced a nine-episode podcast series, sent a cease-and-desist to stop look-alike ads, tightened a company’s security from 2FA to disaster-recovery plans, built an editing workflow in Overleaf for maths and physics clients, and directed and edited a retrospective film for my EMBA’s annual conference.
How I work, and what the work is for.
Six rules I try to run on.
I block time across the day and week instead of drawing a hard line at 6pm. It’s the only model that works across time zones and a family.
I set outcomes, share context and remove blockers. If I’m checking boxes on someone’s tasks, the problem is upstream: hiring, training or trust.
I work ideas out on paper, in memos and FAQs, and share drafts early so people can act without waiting for a meeting.
When things get tense, I try to take the pressure myself and hand the team something calmer: a smaller scope and a clear next step.
One foot in front of the other: release what proves value, learn, then take the next step.
I’m a generalist at heart. If something needs doing and nobody owns it, I’ll figure it out.
After a hard year, I wrote down what I actually want from the rest of my career in A vessel for my ambition. Here’s the short version.
I’m enjoying a short window when my son is young and at home, his grandparents are healthy and active, and I have time for all of them.
Trails, sleep, and fewer midnight calls across time zones.
Work that helps knowledge reach the people who can use it.
People who make me better, and who I can make better.
A steady base for the family, built patiently.
Local community over the feed. Learning Mandarin is the gap, and I’m working on it.
A tool I use daily, and an industry I worry about.
Cautiously on new problems, generously on solved ones. My view first, then AI to argue with it.
Worth using, not worshipping. A real productivity gain, only as good as the expert using it.
AI learns from writers and researchers, and it should credit and pay them, so there’s still a reason to do the original work.
Attribution or revenue share for creators, and provenance labels on what we read.
Some of my side projects are built with AI; Dear Alex is made without it, on purpose.
Why this site is the way it is.
I don’t keep work and life in separate boxes. My week is blocks of deep work, family time and study, all sharing one calendar, so this site puts them on one map too.
Ideas and words: Felix · Scroll illustration: Akanksha Singh · Music: “Floof Poof” by Fenjo Sebastian · Code: co-created with Claude
Features and essays from Taiwan
felix.tw redirects here. This is the writing section of my main site, felixsebastian.com.
I write features about Taiwan, most recently for AmCham Taiwan’s Topics magazine, and essays on Substack. I’m open to commissions.
Taiwan wants global talent. What happens when the talent brings a family?
A check-in on six goals, a thank-you, and the waiting part of a portfolio career.
How migrant workers and new immigrants are reshaping a Taiwanese town, seen through Nankan in Taoyuan.
A mid-career disruption, and the six goals that came out of it.
How generative AI is changing academic publishing, with survey data from multilingual authors.
All essays on Substack → · More about me · Contact
A time-capsule magazine for my son, three or four issues a year, each meant to be read ten years after it’s made. Written, designed and photographed by me, without generative AI, on purpose, with some contributions from Hua and a few friends. It’s private, shared only with select friends and family.
Select pages from Issue II use AI for research, code and the occasional fact check, never for the writing, and where a publisher’s guidelines are stricter, I follow theirs. My approach to AI →
The short version. Request full CV LinkedIn ↗
Reboot. Out of everything that could have happened, this did: you reading, me writing. Reboot as often as you like. It stays just as improbable.
Back, almost. One word is not the same as before. Can you find it?
Why a reboot button? Every reboot ever, from The Good Place · Reload the page for a true reboot.
Small things I build for my family and my work, shared in case they’re useful to someone else. Some are made with AI, some deliberately without.

Who calls whom what in a Malayali–Taiwanese family, in Malayalam, Mandarin and Hokkien, from my view or my son’s.
Working draft
Two morning emails drafted by an AI assistant from my calendar and inboxes: one for my own life, one for a startup team. One email a day, read only by me.
Running every weekday
Hand-drawn scroll illustration by Akanksha Singh, music by Fenjo Sebastian, contours from real elevation data, and code co-created with Claude.
You’re on it
A private family time-capsule magazine for my son. Sample pages on the writing page →
Issue II in progressSome of these are private, but I’m happy to show you around. Get in touch.
About work, writing, being a generalist in Taiwan, or anything else.
contact@felix.tw